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A Country Called Childhood: Children and the Exuberant World, by Jay Griffiths

A Country Called Childhood: Children and the Exuberant World, by Jay Griffiths


A Country Called Childhood: Children and the Exuberant World, by Jay Griffiths


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A Country Called Childhood: Children and the Exuberant World, by Jay Griffiths

Review

Praise for A Country Called Childhood"Jay Griffiths' A Country Called Childhood: Children and the Exuberant World, is an astonishment... a must-read for every parent, teacher, child psychiatrist, or psychologist, anyone who works with kids. Not an easy book, it is a necessary one."—Philadelphia Inquirer"What is fascinating about Griffith’s book is how deftly and poetically she brings together stories and ideas from a vast body of literature and a wide range of cultures and individuals... In the deepest sense, A Country Called Childhood is a highly personal, passionate, and inspiring call to bring childhood back to its roots in nature and imagination."—Orion"A Country Called Childhood could have been written by no-one but Jay Griffiths. It is ablaze with her love of the physical world and her passionate moral sense that goodness and a true relation with nature are intimately connected. She has the same visionary understanding of childhood that we find in Blake and Wordsworth, and John Clare would have read her with delight. Her work isn't just good -- it's necessary."--Philip Pullman"Parents who love deep philosophical and critical thinking about the hot-button topic of over-parenting will relish A Country Called Childhood." —Parents Magazine"I didn’t just read this book; I revelled in it. There’s a rare vitality and robust energy . . . reading this book feels like playing in the woods. An unabashedly Romantic rallying cry for childhood. Playful and polemical, emotional and imaginative. As vital as play itself." --Independent"…she adds a lush texture of myth and cultural reference that is often extremely seductive. She is strongest in the literary realm, and two chapters on woodland quest tales and fairy stories are very successful, weaving together a number of traditions to show how fundamental these mystical narratives are, and how necessary to a child’s opening heart.…The exuberance of her thought and of her prose is matched by the exuberance of her desire—that nature-starved children be granted the real outdoors, the unenclosed “Eden, common as chaffinches,” not simply a few urban trees planted to shade a playground. That exuberant hope seems to me absolutely necessary today..." —The New Republic"Passionate, wilful and supremely honest." Literary Review"Griffiths goes beyond the current debates on child-rearing practices—e.g., overstructured play, too much time online and too little quality family time — and examines what she considers a more fundamental flaw: the separation of children from a natural environment...A provocative critique of modern society." —Kirkus"An impassioned, visionary plea to restore to our children the spirit of adventure, freedom and closeness to nature that is their birthright. We must hear it and act on it before it is too late." --Iain McGilchrist"A subterranean book. We excavate it to refine the secrets of childhood, our own, and many other childhoods in times and places far from ours. We join an underground resistance to the capital of grown-up greed, accountancy and profit. We rejoin the Bears." --John Berger"Griffiths (Wild, An Elemental Journey, 2006) is a committed and passionate author, who immerses herself in subjects with an impressive verve..." —Booklist"Jay Griffiths writes with such richness and mischief about the one thing that could truly save the world: its children." --KT Tunstall"A beautiful combination of expansive tenderness and fierce intolerance of pettiness. A Country Called Childhood is a call to live life intensely and authentically, vividly, and with grace, humour and passion. Griffiths has politicized awe and wonder and play." --Niall Griffiths"Jay Griffiths is one of our most poetic and passionate critics of the ways of civilisation; provocative, illuminating and shamelessly romantic." --Theodore Zeldin"Every time Jay Griffiths picks up a pen, whatever her subject, she cannot help spinning into every paragraph her passionate love of nature and wildness and our relationship with the physical world out there. Her writing is like a cave painting, telling as much of man as of beast and leaving us in awe of both." --John Lister-Kaye, The Scotsman“An impassioned and well-researched plea for the spirit of adventure to be instilled in the young.” --Sun-Herald(Sydney)“Persuasive on how Western child-rearing is characterised by consumerism, "clockwork" overscheduling and enclosure, without adequate room for play in the natural world.” --The Age"Jay Griffiths' works are original, inspiring and dare you to search beyond the accepted norm." Nikolai Fraiture, The StrokesPraise for Wild“A major book by a major writer” –Bill McKibben“Wild is an astonishing piece of writing, truly medicinal, beautiful, passionate and raw.” –Ed O’Brien, Radiohead“Insightful, effervescent and lavishly written . . . She shrouds her amazingly strenuous physical journey with a rich literary penumbra.” –Ruth Padel, The Washington Post

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About the Author

Jay Griffiths is the author of Pip Pip: A Sideways Look at Time,Wild: An Elemental Journey, and Love Letter from a Stray Moon, a novella about the life of Frida Kahlo. She is the winner of the inaugural Orion Book Award and of the Barnes & Noble Discover Award for the best new non-fiction writer to be published in the USA. She grew up in England and now lives in Wales.

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Product details

Hardcover: 432 pages

Publisher: Counterpoint (November 11, 2014)

Language: English

ISBN-10: 1619024292

ISBN-13: 978-1619024298

Product Dimensions:

6.1 x 1.5 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#1,496,267 in Books (See Top 100 in Books)

This book, along with "Brain Rules", and "The Woman Who Changed Her Brain", helped me make huge gains in my fight against mental illness. Of course, I also had to re-engineer my entire life to turn it around from hitting the Great Ice Berg Of Life, but Griffiths's book was the key to finding the damage done by my innocent parents who were just trying to help me stop crying as a newborn infant. Me and millions of others were permanently messed up, as Griffith's so aptly depicts. How we change our lives many years after the damage to our infant minds, depends on what we have become since. The more flexible you are the easier it is to find out who you really are, or might have been. . . Finding the earliest source of damage in my life was key to rapidly changing my brain for the better.

A Great book about a great loss which few seem to notice. I am 80 and and I remember the freedom I revelled in growing up inMontreal.. We kids could disappear for a whole day. No one worried. Nothing harmful happened that we could not handle..This book mourns the loss of the commons,the forest and fields where Children played and explored for millenia.. Play dates, total supervisionand drugs like ritalin are poor substitutes.

The criticisms I see of this book usually cite either the lack of scientific rigor, or the overly passionate nature of the authors defense of childhood. Both criticisms miss the point. The problem with modern, western childhoods is that we have defined what is worthwhile in childhood (read education) by data (or to use fun corporate language, measurables, deliverables or some other bastardized word) and how the "outcomes align with the inputs". As a parent, and educator, I am more that ready for Griffiths full throated, no punches pulled attack on the status quo, because you know what? What we are doing ain't working. Kids are unhappy, stressed, lacking in creativity and prone to burn out. The pendulum needs to swing back, and it's only when more of us get on board with the ideas outlined in this wonderful, poetic book, that it will do so.

There are many important concepts here, and some beauty and much personal honesty and passion. Mothers and grandmothers should read a few chapters. Language and references to literature very fun. Downsides - this isn't scientific research but opinion and romanticism. I was thrown off by examples, plucked from the author's experience, and presented as truth. Also, there is much repetition, so skimming is required in later chapters! That said, her concept of childhood is provocative, wild, beautiful and somewhat true.

Super

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Tendentious

True story: after reading a review of this book, I went to the local bookstore to find it. The clerk looked on her computer, told me they had one in stock, and sent me to the Parenting section. When I couldn't find it, another clerk went searching. Finally, when she appeared with it, I asked, "Where did you find it?" "In the travel section," she replied!It was funny, in a cute way, to think that someone might've thought there was an actual country called Childhood - a place you could buy an airplane ticket to. But after reading Griffiths' wonderful extended meditation on childhood, I almost feel I should go back to the bookstore and tell them, "You had the book in exactly the right place. Well done."This really is a travel guide to another country. And Griffiths has an acute eye and ear (and voice - her use of language is consistently, and very appropriately, poetic, surprising, and oddly delightful) for the telling detail that really does put you right there, breathing that place's specially scented air, basking in its unique quality of sunlight, feeling its particular rain and seasons and terrain. You can tell she's spent a lot of time there learning the language and talking to the locals. Maybe she's even a native herself - or just one of those folks who knows how to put down her baggage, dive in, and "go native."Griffiths makes undeniably clear that Childhood is not just a lovely place, but an incredibly important one, too. Most of us live in Adulthood and have nothing to do with it, either looking down on its residents as "primitive little savages" (as if that's a bad thing; and as if we're something really special), or else ignoring them altogether. But not only is their culture unique and rich; the land itself is loaded in some of the rarest, most precious natural resources on earth: timelessness, wildness, relatedness, play, superfluity (love that one), freedom...I want to go there right away, with the biggest mining equipment of all - my inner being - and scoop up as much as I can get! (No danger of ecological disaster here. The more we take, the more there is.) Sadly, Childhood is under continual siege from Adulterers who, in this case do not seek to possess Childhood's riches, but simply outlaw or banish them. Griffiths does not skirt this sad fact - nor the terrible violence of it.Which brings me to a warning: this is not any sort of cutesy, sentimental, rose-tinted look back at childhood. If you want something like that, you'd best look elsewhere (maybe they've come out with Chicken Soup For a Child's Soul by now?) Like I said, Griffiths has gone native; so this is a most unsentimental, but authentic, child's-eye-view, from right down in the mud and muck, from way out on some upper tree branch, and from deep within the underwear drawer of all the dirty, naughty, dangerous, creepy places we're not supposed to go - but must. Sure, we need chicken soup for our souls, at times; but a balanced diet requires far more than that; and the country of Childhood has some of the best soul cookin' on the planet. Some of it is actually smeared right on the pages of the book, so do take a good whiff.Oh, I want to go! The odd thing is, some of the landscape Griffiths describes seems so darned familiar - almost as if I'd been there once before. Maybe when I was younger? I dunno. But in any case, I'd love to go someday - maybe even to emigrate and go native myself. So, soon as I finish this review, I'll be googling "airplane tickets to Childhood." I've already got my travel guide. (Btw, Jean Liedloff's Continuum Concept, mentioned in this book, would make a great companion volume.)My only real criticism is that the psychopathologies of childhood are not always taken into account. For example, while Griffiths does a great job extolling the many genuine virtues of daydreaming, she leaves out the sad fact that not all daydreaming expresses a natural, healthy ability to roam freely in imagination, but instead consists of the compulsive rehashing and replaying of various kinds of trauma and abuse (often disguised in symbolic form). Children do need the help of sensitive, caring adults to come out of this form of "daydreaming" because otherwise it can become a life-damaging habit of escape and disconnection from reality (rather than a creative encounter with it, as in healthy daydreaming). But in her defense, if we treated children according to the to the guidelines implied in her descriptions of natural childhood - including letting them do all the daydreaming they please - there probably wouldn't be much pathology left to deal with.

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