Archive for December 2011

Ebook Free Gardner's Art Through the Ages: A Global History: 1

Ebook Free Gardner's Art Through the Ages: A Global History: 1

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Gardner's Art Through the Ages: A Global History: 1

Gardner's Art Through the Ages: A Global History: 1


Gardner's Art Through the Ages: A Global History: 1


Ebook Free Gardner's Art Through the Ages: A Global History: 1

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Gardner's Art Through the Ages: A Global History: 1

About the Author

Fred S. Kleiner, Ph.D. has been Professor of Art History and Archeology at Boston University for four decades. He taught previously at University of Virginia and served as Editor-in-Chief of the American Journal of Archaeology. Acclaimed for inspiring lectures, Dr. Kleiner won Boston University's Metcalf Award for Excellence in Teaching, the College Prize for Undergraduate Advising in the Humanities and the Distinguished Teaching Prize in the College of Arts and Sciences Honors Program. He is a Fellow of the Society of Antiquaries of London as well as the Text and Academic Authors Association. In addition to this title, Dr. Kleiner authored several editions of ART THROUGH THE AGES: A CONCISE HISTORY (Cengage), A HISTORY OF ROMAN ART (Cengage), and more than 100 publications on Greek and Roman art and architecture. Dr. Kleiner earned his Ph.D. from Columbia University.

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Product details

Series: Gardner's Art through the Ages

Paperback: 608 pages

Publisher: Cengage Learning; 14 edition (January 1, 2012)

Language: English

ISBN-10: 111177157X

ISBN-13: 978-1111771577

Product Dimensions:

9 x 1.2 x 11.2 inches

Shipping Weight: 4.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

773 customer reviews

Amazon Best Sellers Rank:

#36,756 in Books (See Top 100 in Books)

My art history professor recommended we purchase an older edition essentially it has the same information as the newer edition except for some minor things and coloring of images. The textbook was easy to read and understand, I had already purchased volume I for my previous art history course and now it was required that I purchased volume II. The condition of the book was obviously used, but in a good to average condition. I found some notes on a paper inside the book with I found to be helpful and nice to be surprised with some useful notes by someone else. It provides a well understanding of the different style period and historical background, I can see myself later on referring back to the book for review. It is a good book and pretty cheap considering the newer versions out there.

This is what they consider "good" condition. Received the book today, and I just want it noted that the condition is less than good. It's such a big textbook, required for class, that I'm afraid the cover isn't going to stay in tact through December.

College students be advised -- this is a facsimile exact copy of the hardcopy text (15e) -- more like a PDF of the textbook, which is key because the page numbers and layout are identical to the hard copy version. Only drawback is that some images are not reproduced due to copyright limitations, and I wish there was a more intelligent system of hyperlinks included for vocab, artist and place names, etc.

Been using this book for 5 years now with my AP students. It is thorough and easy to read. I can't say that it's always a "fun" journey, but compared to other texts I've read, it packs a ton of useful contextual information in very digestable parts. Several of my students have told me that they've learned more about world history from this book and class than any of their other history classes combined! The images are of exceptional quality with excellent supplemental information in each chapter. The timeline fold out is great, but I've never really checked out the accompanied CD. If I had my drothers, I would drop a few 20th century artists and add a few others, i.e., Pierre Bonnard, Ad Reinhardt, Richard Diebenkorn Richard Estes, Beth Murray and Sean Scully to name a few. Considering that this is not the latest edition, it is a bit pricey new, but good used versions seem to show up on here at pretty affordable rates.

This textbook was a requirement for an intro class to Art History I took a few years back. The book was dense with information so if you purchase be aware that notes will be your saving grace and best friend. More than anything it was a comprehensive, detailed and somewhat accurate but tinged with an air of drama that detailed the wars fought and won to secure the certain country or tribes ascent or descent into power. With a special focus on work and purity this book delves into the gray area of war with an unanticipated detail that sets it apart from other editions.

I bought this as a textbook for an Art History class. Clear, concise, informative and READABLE text. Every other art history text I've used was dry reading, not so with this one. The photos are sharp, colorful, and well-explained in the captions. Highly recommend!

Though I purchased the paperback and not the hardbound edition for my art history class, I am not disappointed. The pictures and the binding are great, and the text is straightforward. Family members not taking the art history class have enjoyed reading it, as well. This was the required text for my class, but if you were just interested in the subject, this is an awesome book.

After 4 years of nursing school and now attending art school I have seen a good amount of books. This book Gardner's Art through the ages is probably the only college text book other than my anatomy book I will keep.The hard cover is manufactured like many older books I have. The pages are heavy stock with beautiful colored images on it. It comes with 2 silk binding bookmarks, which is fantastic for quick reference. I actually leave this book out on my coffee table for guests to look at, its that good.If you need this book for class, you might just want to keep it when you are done with the class. The images are small on some pages. Like I said before the text is more inline with quick reference, like a coffee table book. One of my classes required that I make an outline of a chapter of any of our books. I chose this one and the outline I made, made logical sense.I have spent many hours with this book and while not perfect it is a very well made book. No book today can compete with the internet as a source. Instead they must condense the points the class is trying to achieve; to that end this book does a fine job.Yes the photos could be larger, yes you can find more information about a piece out on the web, that will always be the case as books go away and we go completely electronic. Until that time books are required for school and if you are required to get this text I cannot think of a better book to buy and keep.Thank you for reading my review.

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Gardner's Art Through the Ages: A Global History: 1 PDF

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Gardner's Art Through the Ages: A Global History: 1 PDF
Gardner's Art Through the Ages: A Global History: 1 PDF

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Ebook Free , by Andrew Leatherbarrow

Ebook Free , by Andrew Leatherbarrow

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, by Andrew Leatherbarrow

, by Andrew Leatherbarrow


, by Andrew Leatherbarrow


Ebook Free , by Andrew Leatherbarrow

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, by Andrew Leatherbarrow

Product details

File Size: 12808 KB

Print Length: 256 pages

Simultaneous Device Usage: Unlimited

Publication Date: April 26, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01E4MAIS8

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Amazon Best Sellers Rank:

#35,985 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have read many books about Chernobyl, from dry scientific texts to often silly fictional accounts of its aftermath, yet this young author has done the best job of all of them, offering a simple-yet-accurate description of how Chernobyl's RBMK reactors worked and, ultimately, how one of them critically failed. But there is much more here than a factual account of what happened 30 years ago at the V. I. Lenin power plant. Mr. Leatherbarrow shares his deepest feelings about what he encounters on his all-too-short journey to Pripyat and the plant itself. His descriptions are excellent and without pretense, and, above all, his narrative never gets bogged down. His unpretentious and even-handed treatment of the main players in this oft told story is very refreshing. And I was deeply moved by his emotional responses to what he saw and experienced; I think that I too would have wept as I left this compelling place behind. In the final analysis, Andrew put together a superbly told story that turned out to be of sufficient length to ensure that the reader "got it" without going on and on with repetitious and unnecessary details. Simply put, it was an excellent read, and I found it hard to believe that this was his first book. I certainly hope it won't be his last.

I'd like to give this 3.5 stars, not quite 4 and not quite 3. First the good: The material is incredibly well researched. The documentation of his sources is terrific, though hard to follow in the Kindle edition (not the author's fault). I was fascinated by the recounting of events leading up to the disaster, the heart-breaking stories of those who sacrificed their health if not their lives, and his impressions of Chernobyl today. Now the bad: Leatherbarrow admits he is not a writer and this proves to be true. I found myself wanting to take a red pencil to many of his sentences. He credits the staff of Reddit for helping edit the book. In my opinion, the manuscript could have used even more rigorous editing. There were whole paragraphs repeated almost word for word in different chapters of the book. His account of exploring an abandoned British installation, though interesting, was unrelated to the overall story. The nighttime stroll through Kiev (part of his trip to Chernobyl) really wasn't relevant to the subject matter either. I would still recommend this book for those interested in the Chernobyl crisis, though be prepared to get jarred occasionally by the writing and organization of the material.

I've been interested in Chernobyl for many years and finally decided to purchase a book to read about it. This is a truthfully written, well researched book written by someone not from the area where the disaster occurred but someone who had been moved enough by the topic to write something honest after visiting and researching and reading about the event for many years. What makes this more believable than many accounts of the disaster is that the author stated most early accounts shortly after the disaster and for many years thereafter were untrue and inaccurate. Most of disturbing was the Soviet attitude regarding what should have been the safety of it's citizens. Citizen safety was not a priority to the Soviet government even prior to Chernobyl. There were other little known emergency events in other nuclear plant locations in the then USSR. What was stated to the public shortly after the disaster and even years later in documents after the trial of those in charge at Chernobyl during the event were classified to the residents of the Ukraine and surrounding area. The citizens were fed whatever the government chose to tell them, and it was not the truth about what really happened. This is a great book for someone interested in reading about Chernobyl. It is technical in a few places but still easily understood. Very well written and I suspect, more trustworthy than other earlier publications on the same subject.

A self-published amateur effort that does a better, more readable, job on the disaster than many professional accounts I have read. Yes, for technical information, do make use of other sources, but understand that those sources will have little of the human drama a non-technical reader might be looking for. I was doubtful of the usefulness of such a book, given that Mr. Leatherbarrow is not a scientist or engineer and does not speak Russian. I decided to give his book a read based on the recommendation of another self-published person, a retired engineer (caveat: in addition to being professionally published, I, too, am a self-published author). Making use of nearly all the translated Russian accounts, both personal and technical, he has succeeded. He makes the functioning of the reactor and its disaster very clear, and parallels the Chernobyl experience with Fukushima and Three Mile Island. His brief history of the development of the reactor gives a very good account of the decisions that set the wheels in motion that moved into tragedy. The story of the aftermath, which is still being written, is made more real by his own visit to Chernobyl and the surrounding area. If you can only get one book on the disaster, then make it this one.

I have read many nonfictional accounts of this monster disaster as it both terrifies and mystifies me yet today. Yet, this account is simply one of the easiest and quickest reads on the disaster that I have encountered. I guess at 54 years old; I am living vicariously through the author's account. I find him, for a non-expert, to be very attuned and very informed having done his research well. I like that he has instilled a freshness into the subject in an easy to understand manner. I also like that he has flips back-and-forth between his longing for his quest while sharing his trek across the haunting landscapes of Slavutych, Kiev, Chernobyl, and the ghostly wonders of Pripyat. His inclusion of his photographs and technical diagrams makes the book that much more enthralling. This is a wonderful effort from a guy who appears to have footed the bill for publication of his book on his own dime.

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