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Product details
File Size: 2767 KB
Print Length: 328 pages
Publisher: Johns Hopkins University Press (May 6, 2018)
Publication Date: May 6, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07BTLRNV7
Text-to-Speech:
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Amazon Best Sellers Rank:
#506,538 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
If you've ever daydreamed about being a university president, this book will slap some sense into you. If you are SERIOUS about being a university president, this book can teach you invaluable lessons the easy way. Written by an impressive cast of people who've been there, it describes a stunning range of intractable challenges that you'll face and how at least one expert dealt with them.It is a great management book, too. Because running large organizations is all the same, whether you're producing scholars or widgets. Take, for example, this advice from Freeman A. Hrabowski III, president of the University of Maryland, Baltimore County: "It may appear easier and simpler for a few people to make decisions and move ahead, but only when representative groups struggle with challenges and engage in robust and complicated dialogue are we able to develop a collective vision of the campus, a sense of clarity about the values that are most critical, and broad buy-in. The longer I am in this position, the more I appreciate the African proverb that says: If you want to go fast, go alone, but if you want to go far, go together." That sounds a lot like Rich Teerlink who turned around Harley Davidson: "As a leader, your principal job is to create an environment where others can do great things." Is it any wonder that UMBC became history's first #16 seed to beat a #1 seed during March Madness?There is even good advice in the book for just living with your family day-to-day. For example, are you a parent making rules for a rebellious teenager? Listen to Ben Tractenberg from Mizzou: "Reasonable presidents and chancellors can disagree about what ... regulations will best further the mission of their institutions. It is hard to imagine, however, how a savvy president [parent] could decide that the smart move is to enact her favored regulatory scheme without robust consultation with faculty."Whatever lessons you get from it, you'll also get enjoyment, because the folks who run our colleges and universities can, as you would hope, really write.
No one in a leadership position at a college or university should be without this enlightening volume. The essays and articles are a beautiful combination of research, advice, and philosophy. Much of the writing is worthy of my personal hero, Jacques Barzun, for its crispness, economy, and unparalleled wit. I particularly like an essay entitled “Mythical Beasts and Real Challenges,†wherein co-authors Gerald B. Kauvar, Stephen Joel Trachtenberg, and E. Gordon Gee cleverly enumerate all of the challenges which make the concept of institutional “autonomy†an illusion. Although many are familiar with the internal and external forces which cut against autonomy, their presentation and discussion in this essay nonetheless serve as an eye-opener. These authors, and many others in the book, avoid the tedious prose of academics, and infuse wit and even poetry into the text. Where else might one find a sentence such as “Institutions are like the surface of a doorknob at an elementary school; swarming with unseen life forms� Buy this book! Read it!
Leading Colleges and Universities: lessons from higher education leadersEdited by: Stephen Joel Trachtenberg, Gerald B. Kauvar, and E. Gordon GeeLeading Colleges and Universities brings together about 35 edifying contributions from leaders of Higher Education. I especially enjoyed the illuminating and frank answers to the same series of questions posed by the editors to each author. The sections written by the editors, including the conclusion, are also particularly effective.This book is beautifully written and remarkably readable, interspersed with humor, empathy, and choice parallels from great literature (e.g., Shakespeare, Yeats, the Bible, Kipling, Machiavelli). It provides a wonderfully eclectic, broad, and fascinating account of the really tough challenges that must be faced through the concrete examples of academic leaders talking about their own tenures. These leaders thoughtfully and candidly share their struggles with coping with the crises encountered. The book is absolutely a must-read for academics contemplating a position of head administrator at any college or university. Those already holding such a position will also find it valuable. Further, I know I would have found it helpful as a guide when serving on presidential search committees.I do not think the only audience who will greatly benefit from reading this book is singularly people in academia. In fact, I believe anyone considering the job of Director of a complex organization involving multiple constituencies will profit from the experiences and perspective offered here.I know I would have certainly benefited from reading this 50 years ago as a young female humanities Ph.D. At the time, I was initially so flattered to be on various lists of potential heads of academic institutions, that I did not stop to consider that I lacked the toughness and grit needed to fire people who were not performing well enough, nor did I appreciate the complexities of the role of academic CEO that are so engagingly presented throughout this work.
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Ebook Download Voice and Vision: A Creative Approach to Narrative Film and DV Production
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"For those filmmakers who want to learn more about the technicalities of film and DV production, this is the book you've been waiting for. Written in a way that is educational yet easy-to-understand, you will find this book helpful whether you're a new filmmaker or one with some experience under your belt. Regardless of your budget size, or your preference for film/DV, there is an incredible amount of information to learn here. The book's layout and detailed illustrations make it easy to follow and enjoyable to read, while the depth of information--as well as the topics themselves--ensure that this book will be usable for quite awhile after its purchase. The price is excellent, espcially considering the amount of information the book contains, as well as its reusability. A must-have for the filmmaker who wants to take his education to the next level!" - Microfilmmaker Magazine "I've adopted the textbook for my film production class and I have to tell you I have not come across a better one. ... I'm continually thrilled when I discover yet another piece that is ideal for teaching not just the mechanics of film making, but the impact on cinematic storytelling. Too many textbooks leave out the 'why' when explaining production. It's easy to get sidetracked into explaining technical details, but unless you can explain its relevance to the story, why teach it?" -Hamp Overton, Assistant Professor - University of New Orleans "With Voice and Vision, Mick Hurbis-Cherrierhas written a ground-breaking book that approaches the subject as a technical, narrative, creative endeavor that marries a filmmaker's voice to his/her mise en scene. It is a book that is compelling and exciting as it distills essential information about film and digital image-making tools with the aesthetic wisdom of many of the world's greatest storytellers. It is quite simply the best book of its kind on the market today." - Film Festival Today "A concise, graphic, and comprehensive manual for the serious beginning filmmaker--full of practical, technical information and solid artistic guidance, and some inspiration too." -Michael Rabiger, Author of "Directing: Film Techniques and Aesthetics and Directing the Documentary" "Hurbis-Cherrier takes years of teaching film and video production and puts it all down on paper in 'Voice and Vision,' combining technical and aesthetic applications with a realistic approach to filmmaking. It is a comprehensive guide for aspiring filmmakers working in both film and digital video." -Jacqueline B. Frost, Associate Professor, Department of Radio-TV-Film, California State University, Fullerton "Mick Hurbis-Cherrier has written a very unusual book for film and video makers. The book,Voice and Vision,differs from other production books by seeing production as a technical,narrative,creative undertaking that is unique because each filmmaker has a distinct voice.This book transends 'how to' and invites the creative 'why-not' of its readers. I've never read a better beginning to the film and videomaking journey." -Ken Dancyger, Professor at New York University's Kanbar Institute of Film & Television and Author of "Broadcast Writing," "Alternative Scriptwriting," "The Technique of Film and Video Editing" and "Writing the Short Film." "It feels like sitting in a classroom with a great teacher, who supplements key information with wonderfully entertaining and illustrative stories...students will feel more like they are reading a good story rather than trying to wade through a textbook." -Andrew Lund, Filmmaker and Graduate Film Professor, Columbia University "The discussion of the technical and logistic matters is very good: it is comprehensive, thorough, and very well explained." -Michael Kowalski, Film Professor, Chapman University, and Sound Designer on "Lost In La Mancha" "Mick Hurbis-Cherrier teaches film and video production at Hunter College in New York, and has worked as a producer, director, cinematographer and editor. He knows what he's talking about, and has presented it in a beautifully illustrated and photographed book that should be a required textbook in every film school.” --Jon Fauer, ASC, Film and Digital Times "This text is not in the form of a technical manual to be shelved as a reference book but is instead a production bible and reader for those actively involved in filmmaking. This book is immensely readable for, and useable by, the target audience of non-professional filmmakers, although even a professional may find it a useful contemporary addition to their library." - Sorrel Penn-Edwards, Metro Magazine
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About the Author
Mick Hurbis-Cherrier has been teaching all levels of film and video production at Hunter College in New York City for more than a decade. He works professionally in both film and video and has performed a wide range of duties on films, including producing, writing, directing, cinematography, and editing. His films and videos have been shown around the country and have garnered prizes in many festivals.
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Product details
Paperback: 560 pages
Publisher: Focal Press; 1 edition (March 27, 2007)
Language: English
ISBN-10: 0240807731
ISBN-13: 978-0240807737
Product Dimensions:
8.5 x 1 x 10.8 inches
Shipping Weight: 3.5 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
54 customer reviews
Amazon Best Sellers Rank:
#1,411,184 in Books (See Top 100 in Books)
what an amazing in depth book.let me say i work in tbe field of cinematography already. out of curiosity i wanted to learn about the gaffer, grip, ad roles etc. this book will literally keep you motivated to want to turn to the next page. the detailed photos of examples used in film are extra grrat. i highly recommend this book for anyone wanting to learn about film and the technical aspects.
Lots of good information here and the section on "film" is often missing from other books. This "film" section provides students with an opportunity to understand the world of film making prior to the DSLR revolution and digital film and that makes the process, terminology and workflow much easier to understand. This is a good textbook for beginning and introductory film and video production classes. It covers all of the basics with accurate information and doesn't dive too deep into any one discipline. Use any chapter as required reading before introducing a new unit in production and your students will have some context for the subject.
AMAZING~Seriously astonishing, this book will show you in a very short amount of time, things about film that you never through of before and you will be soon taking notes of movies to be watched. I am so glad this was a required reading for my class I will never sell it back.
Used this for a few of my film classes. It is the massive monster on everything you need to know about film and video. Every concept and idea is in this book. If you're a filmmaker I recommend you pick up this book for a reference. It is definitely something you want to have in your shelf of film guides and whatnot.
I had to get this textbook for my filmmaking class. Honestly it's pretty great. It's very detailed and useful, and I do suggest anyone who is going into this sort of field of study to take a look at this book!
Exactly what my son needed
This was required for a college course I am taking, and it was able to get it cheaper here than on my school's bookstore website! The product itself is great, very informative with lots of good real-life examples. A must-read for anyone studying film.
It's ok. Didn't find it of much help even in my beginner film production class (although it was the only assigned text)- had to look elsewhere for helpful info.
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PDF Ebook Michelin Spain: Northeast Catalonia, Aragon, Andorra, Map 574 (Maps/Regional (Michelin)), by Michelin
PDF Ebook Michelin Spain: Northeast Catalonia, Aragon, Andorra, Map 574 (Maps/Regional (Michelin)), by Michelin
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Product details
Series: Maps/Regional (Michelin)
Map: 1 pages
Publisher: Michelin; 10th edition (February 15, 2018)
Language: English
ISBN-10: 9782067175150
ISBN-13: 978-2067175150
ASIN: 2067175157
Product Dimensions:
4.4 x 0.4 x 10 inches
Shipping Weight: 3.8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#49,462 in Books (See Top 100 in Books)
We always drive through various countries in Europe with Michelin maps. Great detail easy to follow green (picturesque) roads, also Autoroutes and other large highways.
Hard to find good maps these days. We still find them useful, even with Goggle and GPS. This map is large scale, and very informative. There is a city guide, just in case your Spanish geography is weak. Great price. Well shipped. Quick service.
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Product details
Series: July 2019-June 2020 Academic Planner (Book 8)
Paperback: 139 pages
Publisher: Independently published (February 10, 2019)
Language: English
ISBN-10: 1796548235
ISBN-13: 978-1796548235
Product Dimensions:
8.5 x 0.3 x 11 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#663,456 in Books (See Top 100 in Books)
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Product details
File Size: 12005 KB
Print Length: 304 pages
Publisher: Orbit (April 26, 2016)
Publication Date: April 26, 2016
Language: English
ASIN: B013HA6W92
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Amazon Best Sellers Rank:
#79,550 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
…say he’s a sharp end.Joe Abercrombie, the self-styled “Lord Grimdark†took the fantasy world by storm in the mid-2000s with his First Law trilogy. Part epic fantasy, part satirical deconstruction of Lord of the Rings, and part black comedy, the trilogy introduced us to Abercrombie’s snarky, endearing, and at times utterly horrific menagerie of characters. It will make you laugh, it will make you blanch, and in the end it will leave you with complete emotional exhaustion.The term “grimdark†is a tricky phrase. It means different things to different people. Abercrombie writes a dark world, true, but the moments of genuine beauty and the goodness that human beings are capable of shine through that much brighter for all the muck and grit that covers things. The Circle of the World is a place where being a good man or woman is very hard. But people still try. Sometimes they fair, sometimes they succeed, but the struggle is what makes you root for them. Words like “good†and “evil†often have no place as value judgments in Abercrombie’s world. To paraphrase Logen Ninefingers, sometimes it’s just a matter of where you’re standing.In addition to the First Law trilogy, Abercrombie wrote three stand-alone novels set in the same world, bringing his unique Tolkien-meets-Tarantino flavor to the revenge story, war story, and frontier western genres. Sharp Ends is a collection of short stories that’s pans across his entire First Law timeline, the first coming before the beginning of The Blade Itself, and the last taking place after the end of Red Country. We see some old familiar faces, and are introduced to some new ones as well. These stories have the same combination of comedy, tragedy, violence, and brutality that makes Abercrombie’s other work so brilliant. The cast of characters is diverse, and real in such a profound way that I honestly don’t know how he manages to keep pumping them out.Sharp Ends is the best fantasy collection that I’ve read since George R.R. Martin’s cross-genre anthology, Rogues (which also featured Abercrombie’s Nebula Award winning story, Tough Times All Over). In addition to Tough Times All Over I also have to praise A Beautiful Bastard, Made a Monster, and Some Desperado, though all of these stories are worth the price, and all of them have their own sharp ends…
I enjoyed the majority of the stories in this book. Some of them were better than others, and some of them I recognized from other, previous publications, like "Tough Times All Over," and "Some Desperado."Some of the stories were better than others, which is always the case with anthologies. I'd been excited to read the first story, about Salem Rews and Sand dan Glokta several years before The Blade Itself was set. It turned out to be more of a snapshot than much of a story, though. It was clear that it was about to lead into the events that turned Glokta into the man he would become, but it wasn't about that. It was just a look at what kind of person Glokta was before. Interesting, but I wanted more.I enjoyed the introduction of Whirrun of Bligh, before anyone knew much about him. He's a fun character, and the end of that story was one of those really perfect endings.The story of Nicomo Cosca through rose colored glasses was amusing at first, but ultimately it didn't work for me. He was one of my favorite characters to read, throughout the series, one of the more complicated, interesting characters. Reading such a delusional, deceptive view of him was funny, at first, but then it quickly just became tiresome and I found myself bored.My favorite stories were the ones about Shev and Javre. I felt he put most of his character development effort in there. There was humor and there was introspection, and everything about them was really enjoyable. Their friendship was the best thing about the book. My one complaint is the placement in the timeline of "Tough Times All Over," which didn't make a lot of sense to me. I felt that the events in "Three's a Crowd" would've worked much better if they'd come after "Tough Times All Over," chronologically. It almost looks like a mistake, although where Abercrombie is concerned I assume that what he does is usually intentional, so maybe he meant to show the lack of character development as a comment on their personal flaws. I'm not sure how I feel about it.I would absolutely recommend this book to any fan of the First Law setting. I would not suggest it as an introduction to his work, though. Read some of the First Law books first, and then come to this if you enjoy that.
Many of the stories in this book flesh out events from the First Law trilogy and stand-alone novels. Some appear to be "director's cut" additions. And others are stories that fill in the back story (the early days of Bethod and Nine Fingers, for example). The stories are violent, dark, and filled with laugh out loud bits. If you love the world of the First Law, this will add to your enjoyment. If you are a newcomer or are finding your way here from the Shattered Sea series, I'd recommend you start with the First Law trilogy and the stand-alone novels first.For me, though, it was the Shev and Javre stories that are worth the price of admission. Joe Abercrombie has stated that Shev and Javre are his take on Leiber's Fafhrd and the Gray Mouser, but they are not mere pastiche. They are wonderful characters. The stories are funny and fast-paced and it really is time for a Shev and Javre trilogy.
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