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I Collect Dead Relatives And The Occasional Live Cousin: Wide Ruled Notebook
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Paperback: 100 pages
Publisher: Independently published (November 8, 2018)
Language: English
ISBN-10: 1731053428
ISBN-13: 978-1731053428
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Free PDF I've Got Your Number: A Novel, by Sophie Kinsella
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Review
PRAISE FOR SOPHIE KINSELLA “[Kinsella] continues to tickle funny bones and touch hearts.”—USA Today, on Twenties Girl “Hilarious . . . a breezy blend of romantic comedy and cautionary fairy tale.”—New York Post, on Remember Me? “A fast, fun read that delves a little deeper.”—The Plain Dealer, on The Undomestic Goddess
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About the Author
Sophie Kinsella is the author of the bestselling Shopaholic series, as well as the novels Can You Keep A Secret?, The Undomestic Goddess, Remember Me?, Twenties Girl, I’ve Got Your Number, and Wedding Night. She lives in England.
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Product details
Paperback: 448 pages
Publisher: Dial Press Trade Paperback; Reprint edition (April 23, 2013)
Language: English
ISBN-10: 0385342071
ISBN-13: 978-0385342070
Product Dimensions:
5.2 x 0.9 x 8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
1,440 customer reviews
Amazon Best Sellers Rank:
#62,613 in Books (See Top 100 in Books)
*Review posted on Mundie Moms Grown-Up Book Reviews on 4/20/2017*I adore Sophie Kinsella's stories as you already know, but for some reason, I hadn't read what is one of her highest rated stories until now. I know -- WHY WAS I WAITING? No idea, truly, except that I have that Busy Mama thing happening constantly in my life even as the mom of teens/tweens. So, I purchased the audiobook (aside: Sophie's audiobooks are so well produced!) and fell into a perfectly told story!I think I mentioned in my last review here that I've been in a book-slump-to-end-all-book-slumps this year. It seems nothing can hold my interest, except audiobooks. So on the heels of reading Sophie's My Not So Perfect Life, I immediately downloaded another of her books. Oh, Poppy was a delight. I could completely relate to her losing her engagement ring and picking up an abandoned cell phone. I locked myself out of my apartment two weeks in a row before my wedding. I totally remember the scatterbrained, overloaded moments. Poppy has some other complications, though. Like, is her fiancé truly the right guy for her? What about the phone's real owner, Sam?What ensues is a well-timed, well plotted, tension-filled romantic plot with so many giggle-filled moments. I've always loved a madcap, what-if story, and this one is extremely well executed. You will cheer for a certain thing to happen (not going to spoil it for you, but if you love your romances as much as I do, you already know what it is), and when it does, it's going to be sooooooo amazingly perfect.One of the things that I loved about this story (and also, My Not So Perfect Life) is how Sophie weaves in the side characters as well as family. I don't think there is another author in this genre who does it so seamlessly. I'm that reader who always wants to know a little bit more about the characters, and here we get just that.So as the weather warms up and your mind starts drifting towards summer and that inevitable beach/pool bag filled with romances, this is one that I would 5-star recommend. Don't do what I did and wait to read it!
So my books of choice tend to be cop and/or lawyer books where they’re trying to find and/or outwit a killer. After being on a role of reading some heavy duty material, I needed something lighter. Somehow I stumbled across this book on Amazon, and I’m so glad I did.This book reminds of something along the lines of The Holiday or The Wedding Planner, and it’s completely refreshing for anyone who’s a fan of rom-com’s and characters with hearts of gold. Poppy makes me think of a girl who would be played by Isla Fisher, Renee Zellweger, or Amy Adams. She is completely lovable. And while she has some truly cringe-worthy blunders, all’s well that ends well.Also, as a side note - I saw a review where someone mentioned not being able to read the footnotes on a Kindle. I read my books on my Kindle. All you need to do to see the footnotes in context is lightly press the number (don’t hold the number down like you would to see the dictionary or X-Ray).
I'm a long-time fan of Sophie Kinsella, having devoured all her previous novels. And, for some reason, it took me quite a long time to getting around to reading this. Needless to say, I was excited to dive in!I struggled quite a bit with this book. It felt too much like the Shopaholic Series. The humor was cute but didn’t provoke any actual laugh out loud moments. The first half of the book was hard for me to stick with. And by the halfway point, I wondered if I should just give up on it. My husband had just read it and told me to give it a little more of a chance.The second half of the book kept my interest piqued and I began to grow emotionally invested in the characters and their stories. There were a few twists and turns I didn’t expect, which was a nice surprise, as I thought I had pretty much figured out where everything was going. The ending was sweet, but, still, there was something missing from the overall feel of the story for me.Additionally, I found the footnotes extremely difficult to read on the kindle. It kept bringing me out of the story, so after a few, I gave up.All in all, it’s not a terrible book, but nowhere near as good as some of Sophie’s other books. With that said, this will not dissuade me from her future books, and, in fact, I’m looking forward to giving Finding Audrey a try.
A light humorous read that turns into a life changing experience for Poppy and Sam. By the end I was deeply touched by the internal changes made and strengths achieved by Poppy particularly. A very clever, fun book with hidden depths. The plot was also quite unique hinging on the loss of a huge emerald art deco family engagement ring and Poppy's smart phone at a girlfriend get together at a posh hotel. How can she retrieve the ring without a phone? Lo and behold, she finds a phone tossed into the hotel trash. The phone becomes the magical object usually found in most fairy tales, causing both the actions and transformations of those connected to it. It reveals, truthfully communicates, and allows intervention at the most crucial moments. Without it the people involved would continue with their lives and facades.
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Download Seeing Salvation: Images of Christ in Art, by Neil MacGregor
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Seeing Salvation: Images of Christ in Art, by Neil MacGregor
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Amazon.com Review
None of Jesus' contemporaries made written descriptions of his appearance. Nevertheless, his image is among the most frequently and variously rendered--and perhaps the most instantly recognizable--of all the characters of Western history. Seeing Salvation: Images of Christ in Art is a richly illustrated survey of the ways that artists have imagined Jesus' appearance. Brief essays by Neil MacGregor, director of London's National Gallery, and Erika Langmuir Obe, a noted art historian, elaborate the following notion, from the book's introduction: "The greatest artists, in representing the life of Christ, did something even more difficult: they explored the fundamental experiences of every human life. Pictures about Jesus's childhood, teachings, sufferings and death are--regardless of our beliefs--in a very real sense pictures about us." Seeing Salvation offers pointed insights regarding the relationship between artists' representations of Christ and the evolution of Christian culture. This sweeping account of centuries' worth of history is enlivened by a wealth of detailed observations--such as MacGregor's essay about the ways that Michelangelo's several sculptures of the pieta record the artist's personal evolution of faith and doubt. Still, the most extraordinary things in Seeing Salvation are not its arguments but its beautifully printed illustrations of paintings and sculptures in galleries, private homes, catacombs, market stalls, and churches around the world. --Michael Joseph Gross
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From Publishers Weekly
This is no run-of-the-mill coffee-table book; art historian and critic MacGregor not only offers a rich feast for the eyes through lavish illustrations, but also shows how art reflects the church's development over the last two millennia. MacGregor traces through art, for example, the church's shift in attention from the Adoration of Christ to his birth, noting that the observance of Epiphany gradually became less important than the celebration of Christmas. MacGregor ascribes this change largely to St. Francis of Assisi, noting that "the impact of [his] teaching on the art of Europe can hardly be exaggerated." MacGregor documents a related shift away from depictions of Mary swathed in royal garments holding a stiff, miniature adult Jesus, to portrayals of a "vulnerable and helpless baby, dependent on his mother." MacGregor also credits the humble St. Francis with the evolution of images of Jesus as a suffering lamb. Following Franciscan theology, artists after the 13th century abandoned the "triumphant apocalyptic Lamb of Revelation" for the meek, crucified Lamb of God, Jesus the paschal sacrifice. In a compelling epilogue, MacGregor suggests that although the 20th century has seen depictions of Christ replaced with "photographs of real people and real events," the image of the Christ Child remains "universally valid"; even people who do not believe he was Lord are nonetheless moved by representations of the baby Jesus. Copyright 2000 Reed Business Information, Inc.
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Product details
Hardcover: 240 pages
Publisher: Yale University Press; 1st edition (August 11, 2000)
Language: English
ISBN-10: 0300084781
ISBN-13: 978-0300084788
Product Dimensions:
7.5 x 0.8 x 9.5 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#255,401 in Books (See Top 100 in Books)
A beautiful book with explanations of each art piece. High quality materials, a very good buy.
Beautiful book, excelent service, Thanks!
One of the best books of Christian art I've ever read--and I have many!
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Ebook Stalin: Paradoxes of Power, 1878-1928, by Stephen Kotkin
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Stalin: Paradoxes of Power, 1878-1928, by Stephen Kotkin
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Jennifer Siegel, The New York Times Book Review“A masterly account... Kotkin offers the sweeping context so often missing from all but the best biographies... Stalin is a complex work... but it presents a riveting tale, one written with pace and aplomb. Kotkin has given us a textured, gripping examination of the foundational years of the man most responsible for the construction of the Soviet state in all its brutal glory.... This first volume leaves the reader longing for the story still to come.”Richard Pipes, The New York Review of Books:“This is a very serious biography that… is likely to well stand the test of time.” The Wall Street Journal:“Superb . . . Mr. Kotkin’s volume joins an impressive shelf of books on Stalin. Only Mr. Kotkin’s book approaches the highest standard of scholarly rigor and general-interest readability.”New Statesman (UK): “[Kotkin’s] viewpoint is godlike: all the world falls within his purview. He makes comparisons across decades and continents.... An exhilarating ride.”Anne Applebaum, The Atlantic:“An exceptionally ambitious biography… Kotkin builds the case for quite a different interpretation of Stalin—and for quite a few other things, too. The book’s signature achievement… is its vast scope: Kotkin has set out to write not only the definitive life of Stalin but also the definitive history of the collapse of the Russian empire and the creation of the new Soviet empire in its place.”Robert Gellately, Times Higher Education (London): “A brilliant portrait of a man of contradictions... In the vast literature on the Soviet Union, there is no study to rival Stephen Kotkin’s massive first instalment of a planned three-volume biography of Joseph Stalin. When it is complete, it will surely become the standard work, and I heartily recommend it.”John Thornhill, Financial Times: "It is a measure of Kotkin’s powers of research and explanation that Stalin’s decisions can almost always be understood within the framework of his ideology and the context of his times.... With a ferocious determination worthy of his subject, the author debunks many of the myths to have encrusted themselves around Stalin.... [A] magnificent biography. This reviewer, at least, is already impatient to read the next two volumes for their author’s mastery of detail and the swagger of his judgments.”David Johnson, Johnson’s Russia List: “Required reading for serious Russia-watchers... As the product of years of work and careful thought, it is for me a reminder of what it takes to get close to the truth about important and controversial subjects. And the distance and time required to do so.”Geoffrey Roberts, Irish Examiner: “Monumental... For Kotkin it was not Stalin’s personality that drove his politics but his politics that shaped his personality. His research, narrative and arguments are as convincing as they are exhaustive. The book is long but very readable and highly accessible to the general reader.... Magisterial.”Donald Rayfield, Literary Review: "Masterful... No other work on Stalin incorporates so well the preliminary information needed by the general reader, yet challenges so thoroughly the specialist's preconceptions. Kotkin has chosen illustrations, many of them little known, which reveal the crippled psyches of his dramatis personae.”Booklist (starred):“An ambitious, massive, highly detailed work that offers fresh perspectives on the collapse of the czarist regime, the rise of the Bolsheviks, and the seemingly unlikely rise of Stalin to total power over much of the Eurasian land mass....This is an outstanding beginning to what promises to be a definitive work on the Stalin era.”Kirkus Reviews (starred):“Authoritative and rigorous…. Staggeringly wide in scope, this work meticulously examines the structural forces that brought down one autocratic regime and put in place another.” Publishers Weekly:“This is an epic, thoroughly researched account that presents a broad vision of Stalin, from his birth to his rise to absolute power.”Library Journal:“Kotkin has been researching his magisterial biography of Stalin for a decade. Inescapably important reading.”John Lewis Gaddis, Yale University; author of George F. Kennan: A Life, winner of the 2012 Pulitzer Prize for Biography:“In its size, sweep, sensitivity, and surprises, Stephen Kotkin’s first volume on Stalin is a monumental achievement: the early life of a man we thought we knew, set against the world—no less—that he inhabited. It’s biography on an epic scale. Only Tolstoy might have matched it.”William Taubman, Professor of Political Science Emeritus, Amherst College; author of Khrushchev: The Man and his Era, winner of the 2004 Pulitzer Prize for Biography“Stalin has had more than his fair share of biographies. But Stephen Kotkin’s wonderfully broad-gauged work surpasses them all in both breadth and depth, showing brilliantly how the man, the time, the place, its history, and especially Russian/Soviet political culture, combined to produce one of history’s greatest evil geniuses.”David Halloway, Raymond A. Spruance Professor of International History, Stanford University; author of Stalin and the Bomb:“Stephen Kotkin’s first volume on Stalin is ambitious in conception and masterly in execution. It provides a brilliant account of Stalin’s formation as a political actor up to his fateful decision to collectivize agriculture by force. Kotkin combines biography with historical analysis in a way that brings out clearly Stalin's great political talents as well as the ruthlessness with which he applied them and the impact his policies had on Russia and the world. This is a magisterial work on the grandest scale.”Strobe Talbott, president of the Brookings Institution:“More than any of Stalin’s previous biographers, Stephen Kotkin humanizes one of the great monsters of history, thereby making the monstrosity more comprehensible than it has been before. He does so by sticking to the facts—many of them fresh, all of them marshalled into a gripping, fine-grained story.”The Sunday Times (London):“Staggeringly researched, exhaustively thorough... Kotkin has no patience for the idea that Stalin... was a madman or a monster. His personality and crimes, Kotkin thinks, are only explicable in the wider contexts of Russian imperial history and Marxist theory. So this is less a conventional biography than a colossal life and times.... Hugely impressive.”Sheila Fitzpatrick, The Guardian:“Unlike a number of Stalin studies, this is not an etiology of evil. The author does not appear to be watching his subject narrowly for early signs of the monstrous deformations that will later emerge. He tries to look at him at various stages of his career without the benefit of too much hindsight.... [Kotkin] is an engaging interlocutor with a sharp, irreverent wit... making the book a good read as well as an original and largely convincing interpretation of Stalin that should provoke lively arguments in the field.”
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About the Author
Stephen Kotkin is the John P. Birkelund Professor in History and International Affairs at Princeton University, where he has taught since 1989. He is also a research fellow at the Hoover Institution at Stanford University. He directs Princeton’s Russian, East European, and Eurasian Studies program and is the author of several books, including Uncivil Society, Armageddon Averted, and Magnetic Mountain.
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Product details
Paperback: 976 pages
Publisher: Penguin Books; Reprint edition (October 13, 2015)
Language: English
ISBN-10: 0143127861
ISBN-13: 978-0143127864
Product Dimensions:
6 x 2.1 x 9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
183 customer reviews
Amazon Best Sellers Rank:
#110,217 in Books (See Top 100 in Books)
I teach a course in Russian politics and have read numerous biographies of Stalin. I wondered how anyone could stretch the story out into three massive volumes. Kit kin did it by creating a brilliant study of Russian history from the late 1800s on. Of course there is a very detailed coverage of Stalin’s own life, but also the best analysis of every aspect of Russian society and politics, both tsarist and soviet that I have seen. I’m just starting volume two and only hope that the author is taking care of himself because, if volume three doesn’t follow, I will have nothing to live for.
I'll keep this short, as I'm not an expert on anything. From what i had, casually, read about the period covered by this book, my impression was that Stalin was a not-so-intelligent, but cunning, thug who brute-forced his way into power on the backs of foe and friend, alike. Maybe there are some "seminal" biographies that arrive at just this conclusion. After finishing this book, my original impression has been revised somewhat. Stalin was a quite intelligent and cunning, Marxist ideologue who, with a mixture of cleverness and good luck, brute-forced his way into power on the backs of foe-and friend alike to carry out his conception of the unfinished work of V. Lenin.I only want to respond to one part of the author's depiction of Stalin's character, his growing paranoia. First of all, almost all of the key actors in this book were paranoid. Second, given the external and internal threats to Bolshevism in thes years, who wouldn't have become paranoid? Finally, Stalin was no more paranoid than your average anti-communist Western leader or high level security bureaucrat during the Cold War.I also disagree that the book is badly written. I liked the author's casual style, and despite the details and length of the book, I found it very captivating, as I had little knowledge about this period or Stalin. The book made lasting impression on me, although it interfered with my sun-bathing during the few summer days we were able to enjoy this year.
This is such a marvelous book that has guaranteed I will read the full trilogy. I started this journey with Anne Applebaum's great book 'Red Famine - Stalin's War on Ukraine' which despite enjoying immensely I realised I would enjoy more if I knew more about Stalin and the Russian Revolution as Anne's book assumes some knowledge I didn't have. This then triggered me to read the wonderful Simon Sebag Montefiere book 'Red Tsar' another wonderful book that covered Stalin from 1928, but really kicks off in 1934 through to his death, this meant I needed more knowledge of Stalin's earlier years. Simon himself via twitter suggested this book by Kotkin & what a great book, truly stunning, more than a book this is an achievement, the depth of insight you get, not just into Stalin but into the societal fissures that made a Stalin figure possible, with a deep dive into Tsarist Russia you develop an understanding of how the Bolshevik coup was made possible, then despite kind of skipping through Stalin's role in the Civil War and even the Revolution itself, the information given on that period and Trotsky gives you the background you need to understand the final 2/3 of the book where the Stalin v Trotsky war is covered in minute detail.Just a wonderful wonderful book, can not recommend it highly enough. If you have any desire to learn about Stalin, The Russian Revolution or even Tsarism, then I can't imagine there is a better book out there to kick off your learning. I may come back to add more to this review lately, as I still have the epilogue to read, but finishing the period mentioned in the title [Birth to 1928] i cannot express how delighted I am to have discovered this book, I truly thank Simon for recommending it, Kotkin for writing it and whoever the publisher is for committing to publish such an exhaustive work. Read this wonderful book
This is a good book. It suffers from some significant flaws but is definitely worth reading.First three negative comments, then the positive. 1) Kotkin chooses to ignore some critical information about Stalin's childhood. A number of recent studies, based largely on evidence that Stalin, once in power, insisted be locked away in archives, reveals the young boy to have suffered material deprivation and a lot of physical and emotional abuse. Do the newly available records show conclusively that Stalin was so damaged that he became a sociopath? No. But those records are highly suggestive. Yet in several places--most notably on page 735--Kotkin says "the beatings likely never took place." Now how on earth could Kotkin know that? He never explains why he disregards the evidence of abuse let alone why, if there were no good evidence, we should believe in a Caucasian version of Little House on the Prairie.Kotkin goes on to suggest that Stalin did not become sociopathic until he was an adult, brutalized by his political conflicts with Trotsky and others. In short, the evil emerged when Stalin was in his 40s. That, though, is as strange a view of personality development as it is of the man himself. The prevailing view among psychologists is that psychopathy/sociopathy are either genetic or induced by extreme abuse during childhood. The notion that a man could be normal, or nearly normal, until nearly middle age and then develop the sort of sadism exhibited by Stalin is a real stretch. Furthermore, it requires almost a willful decision to ignore several instances of ruthless behavior during Stalin's 20s and 30s, a pervasive philandering, and a penchant for violence (or ordering violence) that was both widely recognized and typical of the main Bolsheviks. Once again, Kotkin offers no alternative to the plausible story told by students of the newly available records: that Stalin was profoundly damaged in childhood and developed through adolescence and early adulthood the way most sociopaths do.2) A number of the recent studies (for example, Montefiore's Young Stalin) have found in the archives answers to a previously perplexing question. Namely, why would Lenin in the late 1910s treat a Georgian rube with few ties to Russian and European Marxist leaders as well as he did Stalin? Why was Stalin preferred so consistently over older and more experienced, more connected Bolsheviks? Several of the recent studies contend that Stalin ran a gang of thugs in the Caucasus, and particularly in Baku, that robbed banks, kidnapped members of rich families and held them for ransom, etc., and then forwarded the money to Lenin and his associates. Stalin was a big source of funding for the Bolsheviks, so Lenin needed him. Now, however, Kotkin says that the case for Stalin's life as a gangster is largely unproven. That is strictly true; the evidence is certainly not "beyond a reasonable doubt." But in history the standard is "what is the most reasonable, the most logical explanation?" and in that context the gangster theory has a lot going for it. When Kotkin then insists that Stalin did not run a criminal enterprise that financed much of the Bolshevik effort, he leaves us once again facing that troublesome original question: why would Lenin have treated Stalin so well for so long? Having resurrected the question, Kotkin ventures no answer at all.3) In order to argue against the newly consensual view that Stalin had a horrible childhood, emerged as a young sociopath, organized a criminal gang, and forwarded his earnings to Lenin, Kotkin has no choice but to ignore the bulk of the evidence that is available regarding Stalin's early decades. The result is a strange reticence. Why would a biographer refuse to address a significant body of evidence about his subject? Perhaps to differentiate his book from other recently published biographies. In any case, the silence about young Stalin is a significant flaw in a book that purports to be a biography. Ultimately that silence renders the book more a history of Bolshevism and the Soviet Union than a description of Stalin's life.Now the positive. As a history of Bolshevism and the Soviet Union, the book is excellent. One example is Kotkin's description of the factional struggles in the socialist movement before the October 1917 Revolution and afterwards. The analysis here is clearer than in most books and does a better job of explaining why, for instance, Stalin turned against Kamenev and Zinoviev when he did and why he later had no choice but to isolate and weaken Bukharin, Rykov, and Tomsky. Kotkin shows quite persuasively why these were pragmatic moves and not simply the result of Stalin's sadism and opportunism. Another strength is Kotkin's treatment of "Lenin's Testament" and the other documents that magically appeared after Lenin's death and that purported to show that Lenin wanted Stalin ousted from power. The author's contention that those documents may have been fabricated by Stalin's enemies is well-argued and well-documented. Kotkin certainly changed my view on that matter. Finally, whereas a lot of writers describe Stalin as a mere opportunist with little ideological conviction, Kotkin demonstrates a consistent devotion to Marxism-Leninism that reasserted itself time and again in Stalin's actions and policies. The result is a portrayal of Stalin not as a cynical and sadistic opportunist but as a zealous communist who, when necessary, made tactical retreats with cynical and sadistic ease. He was a murderous sociopath, but an ideologically committed and consistent one.So the book is definitely worth reading. I really regret the sparse analysis of Stalin's youth. One of the problems that arises constantly in history is the way in which ruthless leaders--Lenin, Stalin, Hitler, Mao, Pol Pot, Saddam Hussein, Osama Bin Laden--rise to the top of their movements or states. These people often combine political charisma, geopolitical insight, extreme cynicism, vindictiveness, and sadism. To understand what produces, and will continue to produce, such "leaders" one must understand their childhood environments and experiences. An author who chooses to ignore or de-emphasize such factors does the student of history and of current events a disservice by refusing to shed any light on the wellsprings of human evil. Nevertheless, Kotkin's book is a very solid treatment of Bolshevism and the Soviet Union and, by its latter chapters, its focus on Stalin has sharpened somewhat.I hope he moves further in that direction in the second volume.
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Free Download The Lace Reader CD, by Brunonia Barry
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The Lace Reader CD, by Brunonia Barry
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From the Back Cover
Every gift has a price . . . Every piece of lace has a secret . . . My name is Towner Whitney. No, That's not exactly true. My real first name is Sophya. Never believe me. I lie all the time . . . Towner Whitney, the self-confessed unreliable narrator of The Lace Reader, hails from a family of Salem women who can read the future in the patterns in lace, and who have guarded a history of secrets going back generations, but the disappearance of two women brings Towner home to Salem and the truth about the death of her twin sister to light. The Lace Reader is a mesmerizing tale that spirals into a world of secrets, confused identities, lies, and half-truths in which the reader quickly finds it's nearly impossible to separate fact from fiction, but as Towner Whitney points out early on in the novel, "There are no accidents."
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About the Author
Born and raised in Massachusetts, Brunonia Barry lives in Salem with her husband and their beloved golden retriever, Byzantium.
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Product details
Audio CD: 10 pages
Publisher: HarperAudio; Unabridged edition (July 29, 2008)
Language: English
ISBN-10: 0061661554
ISBN-13: 978-0061661556
Product Dimensions:
5.5 x 1 x 6.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
632 customer reviews
Amazon Best Sellers Rank:
#823,267 in Books (See Top 100 in Books)
I'd been given this book years ago as a gift for one reason; I am a lace maker and the giver thought I'd be interested. The gift copy sat on my bed stand for years and I finally gave it away. I then bought a Kindle copy since it would be easier to read.My supposition was that this was primarily a fantasy based book related to a mysticism around lace. That's not correct. This is a murder mystery/drama with some use of mythology as a device. There really is not much here regarding lace at all and ironically it is the one form of lace I do not make ( bobbin). That aside I felt deeply attached to the characters and enjoyed the book thoroughly. This is not my preferred genre but the writing rose above that definition.I am now reading the author's follow up book The Fifth Petal and have been surprised at how much I missed these characters. Worth your time, lots of historical content about Ametica's treatment of witches.
Amazingly well written story that is as unique as each shell in the sea! It gripped me from the beginning with descriptions that created visions of this world, it's inhabitants and the lace they created and read. There is a brief period as you near the climax that left me questioning if there actually was one or had I missed it...a period needed to prepare the reader for what was to come...A climax that made my heart beat faster, my shoulders tense and hooked me on every word as I navigated the unexpected twists and turns, the revelations and understanding of the evil that unfortunately is very real in this world! The most unusual thing about this story is that I was satisfied when I finished it, not crying out to know more or feeling patronized with a happily-ever-after closing...but left in a place to believe in the power of hope and healing. You won't regret a moment spent with this story!!
I love a book that doesn't give the reader all the information at once, and that's the case here. I liken it to meeting a new friend - you get to know them a little at a time. The characters the author develops are interesting and real, and the story unfolds at a great pace. Our heroine, Towner, isn't perfect and is easy to like, but even though a large part of the book is first person from Towner's point of view, we sense there is something more, something hidden under the surface. The storyline kept me entertained and wanting to return for more. Loved it!
While I thought the writing needed some editing, the storyline is compelling and the characters are drawn clearly and well. I don't know if this is a self-publication effort, but it reads like one. By that I mean that most books by traditional publishers are tightly written with very little ambiguity in the telling of the tale. This book is not that though it improves as the story moves along. Point of view changes are not smooth and sometimes confuse. If I have to reread a portion of a book in order to understand what is happening, I judge it not as well written as it could be no matter how much I like the premise and the story.
I really wanted to like this book - it has some great plot elements and interesting characters - but, in the end, it was just too much melodrama for my taste. It reads like a self-indulgent soap opera - albeit, a well-performed one. If that's your thing, here's your book - enjoy ;-)
I loved everything about this book from the setting, to the characters, to the plot that kept me guessing to the end whether I was being led astray or not. I loved the book so much that I immediately purchased Ms. Barry's second book without reading a sample - and I rarely pay that much for a Kindle book. I mean, how can those charges be justified when there are no printing/shipping/etc. costs? But anyway, the second book, to me, was a bomb. Absolutely nothing like the first one. I was left wondering if it was created in a hurry to follow up on the success of her first. Either way, I had high hopes after reading this book that I'd discovered a beautiful new writing voice. After the second book, that I couldn't even finish, I have high hopes that it was a bump in the road and book three will be back on track. But I believe if book three comes out I'll download a free sample first...or visit the library.
**"Never believe me. I lie all the time."** The self-admitted unreliable narrator takes the reader on a compelling and spellbinding journey of revelation. Set in Salem, Massachusetts, this novel intricately weaves together resonate history and sense of place, with mystic suspension of belief, and a thrilling mystery centered around two missing women, memory gaps, and the death of the narrator's twin sister. Barry's story telling is textured, patterned, smart, and suspenseful. I was enthralled with this beautifully moving book. That said, some of the content is traumatic and tragic, and might not be suitable for all readers.
There are so many levels to this book that it demands a close, attentive reading. There are more threads to the story than there would be in a huge piece of lace. The characters in this story, good and bad, are reminiscent of people we all know, and their actions are the ones we know, somewhere in ourselves, could happen far too easily. From fundamentalist fanatics to would-be (and apparently real) witches, this is the story of the whole human race, encased in one short time in modern Salem, Mass. Do yourself a favor, and read this book! It will haunt you for a long time to come.
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Ebook Zoontologies: The Question Of The Animal
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Zoontologies: The Question Of The Animal
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Product details
Paperback: 232 pages
Publisher: Univ Of Minnesota Press; First edition edition (January 29, 2003)
Language: English
ISBN-10: 0816641064
ISBN-13: 978-0816641062
Product Dimensions:
5.9 x 0.5 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#899,130 in Books (See Top 100 in Books)
Wolfe has put together an eclectic anthology on what the subtitle calls (after Derrida) "the question of the animal." Wolfe's excellent introduction and his long examination of Wittgenstein's famous dictum--"If a lion could talk, we could not understand him"--range much further than simply an analysis of language games and are worth the price of the book in themselves. I look forward to reading Animal Rites immensely. I thought Steve Baker's "Sloughing the Human" about animals and art deserved to be longer and Alphonso Lingis's "Animal Body, Inhuman Face," which I'd read in Animal Others, once more provded fascinating, weird, and very suggestive. I can't say I really "got" Judith Roof's essay on Freud's psychoanalysis of the single-celled organism, and my predisposition not to take psychoanalysis seriously as a science probably colored my response to Derrida's deconstruction of Lacan's Cartesianism in "And Say the Animal Responded?" (Wolfe explains Derrida much better than I think Derrida does!) Ursula Heise's chapter on virtual reality, dinosaurs, and Philip K. Dick's "Do Androids Dream of Electric Sheep?" was thought-provoking and Charlie LeDuff's investigation inside a racially divided slaughterhouse in North Carolina once more reminded me of how politicized and gendered the killing and consumption of animals is. Indeed, this piece (which comes at the end of the book) highlights that when it comes to animals, it (philosophy, theory, food) can never be only about theory. A well-constructed and provocative volume.
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Get Free Ebook Interpreting Engineering Drawings (Drafting and Design)
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About the Author
Cecil H. Jensen took an early retirement from teaching to devote his full time to technical writing. He held the position of Technical Director at the McLaughlin Collegiate and Vocational Institute, Oshawa, Ontario, Canada, and has more than twenty-seven years of teaching experience in mechanical drafting. He was an active member of the Canadian Standards Association (CSA) Committee on Technical Drawings. Mr. Jensen has represented Canada at international (ISO) conferences on engineering drawing standards, which took place in Oslo, Norway and Paris, France. He also represented Canada on the ANSI Y14.5M Committee on Dimensioning and Tolerancing. He is the successful author of numerous texts including Engineering Drawing and Design, Fundamentals of Engineering Drawing, Geometric Dimensioning and Tolerancing for Engineering and Manufacturing Technology, Computer-Aided Engineering Drawing, and Home Planning and Design. Before he began teaching, Mr. Jensen spent several years in industrial design. He also supervised the evening courses in Oshawa and was responsible for teaching selected courses for General Motors Corporation apprentices.
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Product details
Series: Drafting and Design
Paperback: 511 pages
Publisher: Delmar Cengage Learning; 7 edition (September 3, 2006)
Language: English
ISBN-10: 1418055735
ISBN-13: 978-1418055738
Product Dimensions:
8.5 x 0.8 x 10.8 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
22 customer reviews
Amazon Best Sellers Rank:
#964,204 in Books (See Top 100 in Books)
Overall, this book is convoluted, making it difficult to follow and learn much from. Some of the answers to the chapter review questions are not covered until a later chapter. Some critical concepts to have illustrated are not illustrated while other illustrations give zero information on what you're looking at and how it applies to the chapter. There are chapter review sections with errors in the dimensions given. I find that a lot of the information given is cursory, lacking enough detail to fully convey the information. Without a competent teacher to wade through the chapters with, I would be totally lost reading this book.
So often in building items that need specific details, engineering drawings are used to accommodate that purpose. I have found that this publication "Interpreting Engineering Drawings" has helped me understand and use engineering drawings to a much higher degree. It has explained symbols and reasons for using these. It has explained the drawings, why, where, how and when to do the things that need to be done at specific times under specific conditions and for varying reasons. This publication answers all those questions and more. For anyone who is needing a very good explanation on engineering drawings. I would highly recommend this publication, it will answer your needed questions.Sincerely, Alvan L. Peterman
dumb book should be a pdf
I have not had a chance to use it much yet I had a similar book bought this for myself to add to my collection of Engineering library.
Good book, good starter for engineers if ur required to get this book.Ebook rental was perfect for finding answers for homework through the search function and was only like 33 bucks :P
great
Ordered for School
Good product
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